Peter & Sons
slots

Peter & Sons is a slots studio founded in 2019. It holds a UK Gambling Commission licence, which is what allows its games to appear at GB-facing sites. Its head office is not something we have on record, so we are not going to guess at one.

On our data source the catalogue stands at 71 games. Of those, 24 carry a dated release, and the dated slice runs from 24 October 2024 through to 23 July 2026.

The release pace on that dated slice is steady rather than frantic:

• 2024: 3 dated releases
• 2025: 12 dated releases
• 2026: 9 dated releases so far

The theme tags across the catalogue point in a fairly clear direction. Halloween is the tag that shows up most often, on 11 titles, with horror on 6 more, so a good chunk of the output sits in spooky territory.

The rest spreads out across familiar slot furniture:

• Halloween: 11 titles
• Horror: 6 titles
• Animal: 4 titles
• Fantasy: 3 titles
• Ancient: 2 titles
• Pirate: 2 titles

Seven Peter & Sons titles publish an RTP figure on our data source. Across those seven the median is 96.2% and the average is 95.93%.

The studios we track average about 95.7%, so 95.93% puts Peter & Sons slightly above the field. That is a real but modest gap, not a headline difference.

The spread matters more than the average here. The seven figures run from 93.97% at the bottom to 96.47% at the top, which is a wide gap for a single studio and means the badge on the game you open tells you more than any catalogue-wide number.

One thing worth knowing about RTP generally: studios often ship the same slot at more than one RTP setting, and the operator decides which version runs. Two sites can therefore serve the same title at different figures, so check the return stated in the game's own info panel rather than assuming a catalogue number carries across.

Volatility is rated on seven titles, on a 1 to 5 ladder, and the distribution is lopsided:

• Very high: 5 titles
• Medium: 2 titles
• Low, low to medium and high: none rated

In practice that means most rated Peter & Sons games are built for long dry spells and occasional large hits rather than steady small returns. Two medium-rated titles are the exception rather than the pattern.

Our own tracked slice of the catalogue is small, so we can only speak to what we have logged. The mechanic we have on file is scatter pays, in Greedy Alice 2: Bigger Bites.

Scatter pays drops the fixed paylines and awards wins on symbol counts anywhere in view, usually with a cluster or tumble layer on top. It tends to suit high-variance maths, which lines up with the volatility ratings above.

One GB-specific point regardless of studio: feature buys are not permitted at Great Britain licensed sites. If a Peter & Sons game offers a bonus buy elsewhere, you will not see that button on a GB account, and the base game is the only route into the feature.

The highest published return we have from the studio is Epic Hellas at 96.47%, with Boom Farm just behind at 96.45% and Artifacts at 96.26%. Greedy Alice sits at 96.2% and Steamworks - The Workshop at 96.17%.

Below those, Rust World lands on a flat 96% and Muddy Waters is the outlier at 93.97%, well under the rest of the studio and well under the field average. That is the clearest argument for reading the RTP badge before you spin.

On the review side we currently track one Peter & Sons title: Greedy Alice 2: Bigger Bites, released 23 July 2026, at 96.20% RTP with scatter pays. It is also the newest dated Peter & Sons release on our feed.

Set against the 80 studios we track, Peter & Sons reads as a mid-sized catalogue with a slightly generous return and a strong variance lean:

• Catalogue size ranks 51 of the 80 studios we track, so this is a smaller library than most of the field.
• The 95.93% average sits above the field average of about 95.7%, though the 93.97% floor pulls against that.
• The very high volatility lean is common rather than distinctive: 21 of the 53 studios we have volatility data for lean the same way.

The fair summary is a compact catalogue with a recognisable house style, competitive on published return, and firmly in the high-variance camp that a large slice of the field also occupies.

We are demo-first on every game we cover. A demo is the real slot running on play money, so the reels, symbols, features and stated RTP are the same as the cash version, and only the balance is fake.

That matters more than usual with a studio this high in variance. A demo session is the cheapest way to find out how long a very high volatility game can sit quiet before anything happens, and whether that pace suits you.

In Great Britain, demos sit behind an 18+ age gate, so you may be asked to confirm your age or sign in before a free-play game will load. Play money stays play money, and nothing you win in a demo can be withdrawn.

The catalogue statistics on this page come from the Peter & Sons listing on our data source, and each figure is computed only from the titles that actually publish it. That is why the game count is 71 while the RTP and volatility figures rest on seven titles each, and the release pace on the 24 with a dated release.

The reviews are separate. They come from the individual releases the desk plays, which is a small and current slice of the studio's output rather than the full catalogue. We do not claim to have played everything Peter & Sons has made.

When the underlying data changes, the numbers here change with it. If a new release lands, or a title publishes an RTP it did not before, the averages and counts move and we update the page rather than leave a stale figure in place.